Αποκαθήλωση: Διαφορά μεταξύ των αναθεωρήσεων

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Γραμμή 2:
The '''Descent from the Cross''' ({{lang-el|Ἀποκαθήλωσις, ''Apokathelosis''}}), or '''Deposition of Christ''', is the scene, as depicted in art, from the Gospels' accounts of [[Joseph of Arimathea]] and [[Nicodemus]] taking Christ down from the cross after his [[Crucifixion of Jesus|crucifixion]] ({{bibleverse||John|19:38-42}}). In [[Byzantine art]] the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th [[Station of the Cross]].
 
Other figures not mentioned in the [[Gospels]] who are often included in depictions of this subject include [[St. John the Evangelist]], who is sometimes depicted supporting a fainting Mary (as in [[DepositionThe Descent from the Cross (Rogier van der Weyden)|the work below by Rogier van der Weyden]]), and [[Mary Magdalene]]. The Gospels mention an undefined number of women as watching the crucifixion, including the [[Three Marys]], ([[Salome (disciple)|Mary Salome]] being mentioned in {{bibleverse||Mark|15:40}}), and also that the Virgin Mary and Mary Magdalene saw the burial ({{bibleverse||Mark|15:47}}). These and further women and unnamed male helpers are often shown. <ref>G. Schiller, ''Iconography of Christian Art'', Vol. II, 1972 (English trans from German), Lund Humphries, London, p.164, ISBN 853313245</ref>
==Development of the image==