Όσκαρ Καλύτερων Οπτικών Εφέ: Διαφορά μεταξύ των αναθεωρήσεων

|'''[[Alan Maley]], [[Eustace Lycett]] and [[Danny Lee (special effects artist)|Danny Lee]]'''

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| rowspan=2 style="text-align:center" | '''[[1972]]'''<br /><small>[[45th Academy Awards|(45th)]]</small>

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|'''''[[Earthquake (film)|Earthquake]]'''''^†

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| rowspan=2 style="text-align:center" | '''[[1975]]'''<br /><small>[[48th Academy Awards|(48th)]]</small>

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|'''''[[The Hindenburg (film)|The Hindenburg]]'''''^†

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| rowspan=3 style="text-align:center" | '''[[1976]]'''<br /><small>[[49th Academy Awards|(49th)]]</small>

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|'''''[[Logan's Run (film)|Logan's Run]]'''''^†

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| rowspan=3 style="text-align:center" | '''[[1977]]'''<br /><small>[[50th Academy Awards|(50th)]]</small>

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|'''''[[Superman (1978 film)|Superman]]'''''^†

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| rowspan=6 style="text-align:center" | '''[[1979]]'''<br /><small>[[52nd Academy Awards|(52nd)]]</small>

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|''[[The Black Hole]]''