Διαφορά μεταξύ των αναθεωρήσεων του «Κονσταντίν Μακόφσκι»

καμία σύνοψη επεξεργασίας
 
Ο [[Κωνσταντίν Μακόφσκι]] (πλήρες όνομα: '''Konstantin Yegorovich Makovsky''' ({{lang-ru|Константин Егорович Маковский}}; {{OldStyleDate|June 20|1839|July 2}} —{{OldStyleDate|September 17|1915|September 30}}) ήταν ένας σημαντικός Ρώσος ζωγράφος, συνδεόμενος με το λεγόμενο "κίνημα των περιπλανώμενων" "[[Peredvizhniki|Peredvizhniki (Wanderers)]]". Πολλοί από τους ιστορικούς πίνακές του, όπως "Το στόλισμα της Ρωσίδας Νύφης" (1889), παρουσιάζει μιά εξιδανικευμένη όψη της Ρωσικής ζωής των προηγούμενων αιώνων. Συχνά θεωρείται αντιπροσωπευτικό δείγμα της Τέχνης των Σαλονιών [[Salon (gathering)|Salon]].
[[File:Kmakovs 71.jpg|thumbnail|leftright|300px|''[[Christmastide Divination]]''. Historic paintings of Russian peasant life made Konstantin Makovsky popular in Russia]]
[[Image:MakovskiyKE PtDetHudozhTVER.jpg|thumb| right|300px|Τα παιδιά του καλλιτέχνη, 1882]]
[[File:Makovsky Ophelia.jpg|thumb|left|150px|Makovsky's Ophelia]]
 
 
==Βιογραφία==
 
In 1858 Makovsky entered the [[Imperial Academy of Arts]] in [[Saint Petersburg]]. From 1860 he participated in the Academy's exhibitions with paintings such as ''Curing of the Blind'' (1860) and ''Agents of the [[False Dmitriy I|False Dmitry]] kill the son of [[Boris Godunov]]'' (1862). In 1863 Makovsky and thirteen other students held a protest against the Academy's setting of topics from [[Norse mythology|Scandinavian mythology]] in the competition for the ''Large Gold Medal of Academia''; all left the academy without a formal diploma.<ref name=Blouin/>
 
[[File:Makovsky Ophelia.jpg|thumb|left|150px|Makovsky's Ophelia]]
Makovsky became a member of a co-operative (artel) of artists led by [[Ivan Kramskoi]], typically producing [[Peredvizhniki|Wanderers]] paintings on everyday life (''Widow'' 1865, ''Herring-seller'' 1867, etc.). From 1870 he was a founding member of the ''Society for Traveling Art Exhibitions'' and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
 
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