Άνοιγμα κυρίου μενού

Αλλαγές

καμία σύνοψη επεξεργασίας
{{σε χρήση}}
{{μετάφραση}}
{{wikidata entry}}
Η σελίδα αυτή είναι κατάλογος έργων του [[Νικολά Πουσέν]]. Βασίζεται στον catalogue raisonné (πλήρη και σχολιασμένο κατάλογο) του Jacques Thuillier, ιστορικού της τέχνης ιδιαίτερα επιφυλακτικού, και σε σχετική εργασία του Anthony Blunt. Λόγω των αμφισβητήσεων, αναθεωρήσεων γνωμών και ανευρέσεων έργων που θεωρούνταν χαμένα, ο κατάλογος αυτός δεν μπορεί να θεωρηθεί οριστικός.
 
|||''Ο Άγιος Διονύσιος ο Αρεοπαγίτης στέφεται από έναν άγγελο''||περί το 1620–1621 ||173 x 108&nbsp;cm||Painting from the [[Saint-Germain l'Auxerrois|église Saint-Germain-l'Auxerrois (Paris)]]<ref>{{Cite web|url=http://collections.musees-haute-normandie.fr/collections/artitem/000PE032636|title=Catalogue page|work=Découverte des collections des musées de Haute-Normandie|accessdate=4 June 2011}}</ref>||[[Ρουέν]], Musée des beaux-arts||3/R51
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|[[File:La Mort de la Vierge - Nicolas Poussin - 1623.jpg|200px]]|| ''DeathΗ ofΚοίμηση theτης VirginΘεοτόκου'' || 1623 || 202 x 137&nbsp;cm || From a retable commissioned by the archbishop of Paris [[Jean-François de Gondi]] for [[Notre-Dame de Paris]], seized at the [[French Revolution]] and deposited in the Louvre, sent to Brussels in 1803, considered to be a copy, disappeared in 1814. Rediscovered in 2000 at Sterrebeek church.<ref>{{fr icon}} [http://www.latribunedelart.com/em-la-mort-de-la-vierge-em-de-poussin-restauree-article00724.html La Mort de la Vierge de Poussin restaurée]</ref> || [[Sterrebeek]], Sint-Pancratiuskerk church||11/91
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|[[File:Exposition de Moïse - Poussin - Gemäldegalerie Alte Meister Dresden.jpg|200px]]||''MosesΗ leftέκθεση byτου theΜωυσή riverστο Νείλο''||1624 c.||145 x 196&nbsp;cm||Bought in Paris in 1742 by [[Augustus III of Poland|Augustus III of Saxony]]||[[Dresden]], [[Gemäldegalerie Alte Meister]]||15/10
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|[[File:Triomphe d'Ovide - Poussin - Palazzo Corsini.jpg|200px]]||''TriumphΟ ofθρίαμβος aτου poetποιητή'' orή ''TriumphΟ ofθρίαμβος Ovidτου Οβίδιου''||1624–1625 c.||148 x 176&nbsp;cm||Attribution contested by [[Anthony Blunt]] ||Rome, [[Palazzo Corsini, Rome|Palazzo Corsini]]||13/R92
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|[[File:Rinaldo and armida 1629.jpg|200px]]||''RinaldoΡινάλντο andκαι ArmidaΑρμίντα''||1624–1625 c. (or 1630 ?)||80 x 107&nbsp;cm|| ||London, [[Dulwich Picture Gallery]]||20/202
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|[[File:Céphale et l'Aurore - Poussin - HovinghamHall.jpg|200px]]||''CephalusΚέφαλος andκαι AuroraΗώς''||1624–1625 c.||79 x 152&nbsp;cm||Acquired by the Worsley collection before 1770 ||[[York]], [[Hovingham Hall]], Worsley Collection||25/145
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|||''TheΤο MountΌρος ofτων OlivesΕλαιών''||1624–1625 c.||62 x 49&nbsp;cm||Oil on copper, formerly in the dal Pozzo collection, rediscovered 1985||Private collection||27/
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|[[File:'Venus and Adonis', oil on canvas painting by Nicolas Poussin, c. 1628-29, Kimbell Art Museum.jpg|200px]] || ''VenusΑφροδίτη andκαι AdonisΆδωνις''||1624–1625 c.||98.5 x 134.6&nbsp;cm|| Attribution contested by Blunt||[[Fort Worth]], [[Kimbell Art Museum]]<ref>{{cite web|url=https://www.kimbellart.org/Collections/Collections-Detail.aspx?prov=false&cons=false&cid=8546|title=Notice|work=Kimbell Art Museum|accessdate=4 June 2011}}</ref>||30/R107
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|||''ChildΠαιδί withμε aκέρας cornucopiaτης Αμαλθείας''||1624–1625 c.||54,8 x 51,8||Recorded in the collection in 1713. Attribution contested by Blunt||Rome, [[Palazzo Pallavicini-Rospigliosi]]||31/
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| [[File:Vénus dormant avec l'Amour - 1627-1628, Dresde, Gemäldegalerie.jpg|200px]] ||''SleepingΚοιμισμένη VenusΑφροδίτη withμε Cupidερωτιδέα'' orή ''VenusΒοσκοί espiedπου byκρυφοκοιτάζουν shepherdsτην Αφροδίτη''||1624–1626 c.||71 x 96&nbsp;cm||Mentioned in the inventory of the [[Electors of Saxony]] in 1722. Attribution uncertain.||Dresden, Gemäldegalerie Alte Meister<ref>{{cite web|url=http://bildarchiv.skd.museum/skddb/SearchResult_RecordInfo.jsp?recordView=SearchResult_RecordInfo&index=4&recordID=1526&catalogID=1|title=Catalogue entry|work=Bidarchiv SKD|accessdate=4 June 2011}}</ref>||28/189
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| [[File:Poussin Mercure Hersé et Aglaure ENSBA.jpg|200px]] ||''MercuryΕρμής, HerseΈρση andκαι AglaulusΆγλαυρος''||1624–1626 c.||53,5 x 77,5&nbsp;cm||From the collection of [[Jacques-Édouard Gatteaux]], damaged by fire during the [[Paris Commune]] (1871)||Paris, [[École nationale supérieure des beaux-arts]]<ref>{{Cite web|url=http://www.ensba.fr/ow2/catzarts/voir.xsp?id=00101-27210&qid=sdx_q2&n=1&sf=&e=|title=Notice Cat'zart|work=ensba.fr|accessdate=4 June 2011}}</ref>||29/164
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|[[File:Nicolas Poussin 075.jpg|200px]]||''RinaldoΡινάλντο andκαι ArmidaΑρμίντα''||1625 c.||95 x 133&nbsp;cm||Acquired by Catherine II of Russia and sent to Moscow in 1930||Moscow, [[Pushkin Museum]]||16/203
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| [[File:Poussin La Victoire de Gédéon contre les Madianite.jpg|200px]] ||''Gideon'sΗ Battleμάχη againstτου theΓεδεών Midianitesμε τους Μαδιανίτες''||1625–1626 c.||98 x 137&nbsp;cm||Commissioned by the Roman nobleman Marcello Sacchetti ||Rome, [[Vatican Museums#Pinacoteca Vaticana|Pinacoteca Vaticana]]||21/31
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|[[File:Poussin - Josué et les Amorites Moscou.jpg|200px]]|| ''Joshua'sΗ Victoryνίκη overτου theΙησού Amoritesτου Ναυή επί των Αμορραίων''|| 1625–1626 || 97,5 x 134&nbsp;cm ||Pendant to ''Victory over the Amalekites''. Sold by Poussin for 7 écus, bought by Catherine II of Russia || Moscow, [[Pushkin Museum]]||18/30
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| [[File:Poussin Nicolas - The Victory of Joshua over the Amalekites copy.jpg|200px]] || ''Joshua'sΗ Victoryνίκη overτου theΙησού Amalekitesτου Ναυή επί των Αμαληκιτών'' || 1625–1626 ||97,5 x 134&nbsp;cm||Pendant to ''Victory over the Amorites''. Sold by Poussin for 7 écus, bought by Catherine II of Russia || [[Saint-Petersburg]], [[Hermitage Museum]]||17/29
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|[[File:Bacchanale - Poussin - musée du Prado.jpg|200px]]||''Bacchanale''Βάκχος orκαι ''Bacchus and AriadneΑριάδνη''||1625–1626||122 x 169&nbsp;cm||Mentioned in the catalogue of the [[Royal Palace of La Granja de San Ildefonso]] in 1746. Attribution rejected by Blunt but supported by Thuillier and Rosenberg ||[[Madrid]], [[Prado Museum|Prado]]||24/R66
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|[[File:Nicolas Poussin - Cephalus and Aurora - Google Art Project.jpg|200px]] || ''CephalusΚέφαλος andκαι AuroraΗώς''||1625–1626 c.||96,9 x 131,3&nbsp;cm||Bought by the National Gallery in 1831. Re-dated to 1626–1627 from a brand on the back. || London, National Gallery||43/144
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|[[File:Poussin - Venus et Adonis - Poussin - RISofD Museum of Art.jpg|200px]]||''VenusΑφροδίτη andκαι AdonisΆδωνις''||1625–1626 (vers)||75 x 100&nbsp;cm||Collection of [[Sir Joshua Reynolds]] in 1766 ||[[Providence (Rhode Island)]], [[Rhode Island School of Design|Rhode Island School of Design Museum of Art]]||42/185
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|[[File:Nymphs and a Satyr (Amor Vincit Omnia) - Nicolas Poussin - Cleveland MofA.jpg|200px]]||''LandscapeΤοπίο withμε nymphνύμφη andκαι satyrσάτυρο'' orή ''Amor Omnia Vincit'' (Ο έρως νικά τα πάντα)||1625–1627 c.||97 x 127,5&nbsp;cm||Attribution supported by Rosenberg but rejected by Thuillier and Blunt; Blunt attributes it to [[Pier Francesco Mola]] ||[[Cleveland]], [[Cleveland Museum of Art|Museum of Art]]||R124/R58
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|[[File:Numa Pompilius et la nymphe Egérie - Poussin - musée Condé.jpg|200px]]|| ''NumaΟ PompiliusΝουμάς andΠομπίλιος theκαι nymphη Egeriaνύμφη Ηγερία'' || 1625–1628 c. || 100 x 75&nbsp;cm ||Acquired by the duc d'Aumale as part of Frédéric Reiset's collection || Chantilly, musée Condé||60/168
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| [[File:Nicolas Poussin - Le massacre des Innocents - Google Art Project.jpg|200px]] || ''TheΗ Massacreσφαγή ofτων the InnocentsΑθώων'' || 1625–1629 c. || 147 x 171&nbsp;cm ||Painted for [[Giustiniani|Vincenzo Giustiniani]]. Bought by the [[Henri d'Orléans, Count of Paris|duc d'Aumale]] in 1854||[[Chantilly, Oise|Chantilly]], [[musée Condé]]||19/67
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|[[File:Poussin - Vénus pleurant Adonis - musée de Caen.jpg|200px]]|| ''VenusΗ weepingΑφροδίτη forθρηνεί Adonisτον Άδωνι'' || 1626 || 57 x 128&nbsp;cm ||Mentioned in the inventory of cardinal [[Angelo Giori]]. In the French royal collection in 1683 and sent to Caen in 1804. || [[Caen]], [[Musée des beaux-arts de Caen|musée des Beaux-Arts]]||26/186
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|[[File:La Destruction du temple de Jérusalem - Nicolas Poussin - Israel Museum.jpg|200px]]||''TheΗ Destructionκαταστροφή ofτου theΝαού Templeτης in JerusalemΙερουσαλήμ''||1626||145,8 x 194&nbsp;cm||Painted for cardinal Barberini, who paid Poussin 61 écus for it on 3 February 1626. Passed into cardinal Richelieu's collection, lost at the end of the 18th century. Rediscovered in 1995 and given to the Israel Museum in 1999<ref>[http://www.imj.org.il/imagine/galleries/viewItemE.asp?case=17&itemNum=199789 Overview – The Israel Museum]</ref>||[[Jerusalem]], [[Israel Museum]]||35/
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|[[File:Vue de Grottaferrata avec Vénus et Adonis- Poussin -Montpellier.jpg|200px]]|| ''ViewΆποψη ofτης GrottaferrataΓκροτταφερράτα'', madeαποτελούμενο upαπό ofτα ''VenusΑφροδίτη andκαι AdonisΆδωνις'' andκαι ''LandscapeΤοπίο withμε aποτάμιο river godθεό''||1626 c.||77 x 202&nbsp;cm (74,5 x 112&nbsp;cm + 77 x 88&nbsp;cm)||Dal Pozzo collection. Cut into two parts in the 18th century and reunited in 2009<ref>{{fr icon}} [http://www.latribunedelart.com/chroniques-d-acquisitions-annoncees-poussin-pour-montpellier-et-ingres-pour-le-louvre-article002321.html Chroniques d’acquisitions annoncées : Poussin pour Montpellier et Ingres pour le Louvre]</ref> ||[[Montpellier]], [[musée Fabre]]||22/R105
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|[[File:Nicolas Poussin - Apollo and Daphne - WGA18261.jpg|200px]]||''ApolloΑπόλλων andκαι DaphneΔάφνη''||1626 c.||97 x 131&nbsp;cm||In the [[Elector of Bavaria]]'s collection in 1782. ||[[Munich]], [[Alte Pinakothek]]||23/130
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|[[File:Bacchanale d'enfants - Nicolas Poussin - Palazzo Barberini.jpg|200px]]|| ''Children'sΒακχική bacchanalγιορτή παιδιών'' || 1626 || 56 x 76&nbsp;cm ||Tempera. Collection of [[Flavio Chigi (1631-1693)|cardinal Chigi]], remained at the [[Palazzo Chigi]] until 1914, entered the Italian national collection in 1979 || Rome, [[Galleria Nazionale d'Arte Antica]], [[palazzo Barberini]]||36/192
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|[[File:Nicolas Poussin - Bacchanal of Putti - WGA18262.jpg|200px]]|| ''Children'sΒακχική bacchanalγιορτή παιδιών'' || 1626 || 74 x 85&nbsp;cm ||Tempera. Collection of [[Flavio Chigi (1631-1693)|cardinal Chigi]], remained at the [[Palazzo Chigi]] until 1914, entered the Italian national collection in 1979. Not a pendant to the former. || Rome, Galleria Nazionale d'Arte Antica, palazzo Barberini||37/193
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| [[File:Nicolas Poussin - La Lamentation sur le Christ.jpg|200px]] || ''LamentationΘρήνος overγια theτον deadνεκρό ChristΧριστό'' || 1626 || 102 x 148&nbsp;cm ||In the collections of the Elector of Bavaria in the 18th century || Munich, Alte Pinakothek||38/82
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|[[File:Poussin, Nicolas - Schlafende Venus, von Satyr überrascht - 1626.jpg|200px]]||''VenusΗ surprisedΑφροδίτη byαιφνιδιάζεται satyrsαπό σατύρους''||1626||77 x 100&nbsp;cm||Attribution rejected by Blunt then by Thuillier but recently reattributed to Poussin<ref>{{Fr icon}} [http://www.persee.fr/web/revues/home/prescript/article/rvart_0035-1326_1998_num_119_1_348378 Olivier Bonfait, 'Poussin aujourd'hui'], La Revue de l'Art, vol. 119, no 1, 1998, p. 73 note 24</ref>||[[Zurich]], [[Kunsthaus Zürich|Kunsthaus]]||B7/R113
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| [[File:Scène bacchique vers 1627 Cassel Staatliche Museen.jpg|200px]] ||''BacchicΒακχική sceneσκηνή'' orή ''NymphΝύμφη ridingπου aιππεύει satyrσάτυρο''||1626 c.||96 x 74,5&nbsp;cm||Mentioned in 1749 in the collection of [[William VIII, Landgrave of Hesse-Kassel]] ||[[Kassel|Kassel (Hesse)]], [[Schloss Wilhelmshöhe|Old masters gallery of the Lande of Hesse]]||44/198
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|[[File:Nicolas Poussin - Descente de croix.jpg|200px]] || ''Descent from the cross'' or ''The deposition from the crossΑποκαθήλωση''||1626 c.||119 × 98&nbsp;cm||Collection of [[Heinrich von Brühl]], whole collection acquired by Catherine II of Russia in 1768 ||Saint-Petersburg, Hermitage Museum||39/80
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|[[File:L'Enfance de Bacchus - Poussin - musée Condé.jpg|200px]] || ''TheΗ Infancyπαιδική ofηλικία Bacchusτου Βάκχου''||1626 c.||135 x 168&nbsp;cm||Bought by the duc d'Aumale in England in 1859 ||Chantilly, musée Condé||46/134
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|[[File:Le Jardin des oliviers - Nicolas Poussin - 1648.jpg|200px]]||''TheΤο MountΌρος ofτων OlivesΕλαιών''||1626 c. or 1632–1633||60,5 x 47&nbsp;cm||oil on copper, formerly in the Barberini collection. Sold at auction for $6.7 million to a private buyer in January 1999<ref>[http://www.artnet.com/Magazine/news/jeromack/jeromack2-3-99.asp Old master madness]</ref>||Private collection||88
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|[[File:Nicolas Poussin - Helios and Phaeton with Saturn and the Four Seasons.jpg|200px]]||''HeliosΉλιος andκαι PhaetonΦαέθων withμε Saturnτον andΚρόνο theκαι Fourτις SeasonsΤέσσερις Εποχές'' orή ''ApolloΟ Άπόλλων δανείζει loaningτο hisάρμα chariotτου toστον PhaetonΦαέθοντα''||1626–1627 c.||122 x 153&nbsp;cm||Located in Paris in 1674, then Potsdam in 1773 ||Berlin, [[Gemäldegalerie (Berlin)|Gemäldegalerie]]||51/172
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|[[File:Nicolas Poussin - The Nurture of Bacchus - WGA18285.jpg|200px]]||''TheΗ Nurtureανατροφή ofτου BacchusΒάκχου'' orή ''AΜικρό Little Bacchanalβακχικό''||1626–1627 c.||97 x 136&nbsp;cm||Acquired by the French royal collection before 1683. Attribution rejected by Anthony Blunt||Paris, musée du Louvre||50/R64
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|[[File:La Nourriture de Bacchus - Nicolas Poussin - National Gallery London.jpg|200px]]||''TheΗ Nurtureανατροφή ofτου BacchusΒάκχου'' orή ''TheΗ Infancyπαιδική ofηλικία Bacchusτου Βάκχου''||1626–1627 c.||75 x 97&nbsp;cm|| ||London, National Gallery||52/133
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|[[File:Venus et Mercure - Poussin - Dulwich PG.jpg|200px]]||''VenusΑφροδίτη andκαι MercuryΕρμής'', madeαποτελούμενο upαπό ofτον παρόντα ''Venusπίνακα andκαι Mercury'' (image, left) andτο ''Concert ofΚοντσέρτο lovesερώτων''||1626–1627 c.||78 x 85&nbsp;cm et 57 x 51&nbsp;cm||Original composition known through a drawing in the Louvre. Cut up during the 18th century.<ref>[http://www.dulwichpicturegallery.org.uk/collection/search_the_collection/artwork_detail.aspx?cid=434 Dulwich picture gallery]</ref> ||London, Dulwich Picture Gallery and Paris, [[musée du Louvre]]||34/184
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|[[File:Vierge à l'enfant - Poussin - Preston Manor.jpg|200px]]||''VirginΠαρθένος andκαι ChildΒρέφος''||1626–1627 c.||58,5 x 49,5&nbsp;cm||Dal Pozzo collection. Pendant to the ''Piéta'' at Cherbourg, repainted||[[Brighton]], [[Preston Manor, Brighton|Preston Manor]]||40
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|[[File:Nicolas Poussin and Daniel Seghers - Pietà - Musée Thomas-Henry.jpg|200px]]||''Piéta''||1626–1627 c.||57,5 x 48,5&nbsp;cm|| Dal Pozzo collection. Pendant to the Brighton ''Virgin and Child''||[[Cherbourg]], [[musée Thomas-Henry]]||41/81
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|[[File:Bacchus-Appolon - Poussin - Stockholm Nationalmuseum.jpg|200px]]||''BacchusΒάκχος-ApolloΑπόλλων'' orή ''BacchusΒάκχος andκαι ErigoneΗριγόνη''||1626–1627 c. (or c. 1628 ?)||98 x 73,5&nbsp;cm||Originally used for Bacchus-Erigone, then painted over by Poussin with a Bacchus-Apollo. Much later repainting, to cover the figures' genitalia.||[[Stockholm]], [[Nationalmuseum]]||53/135
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|[[File:Nymphe et satyre buvant - Poussin - Museo del Prado.jpg|200px]]||''BacchicΒακχική sceneσκηνή'' orή ''NymphΝύμφη andκαι satyrσάτυρος drinkingπου πίνει''||1626–1628||74 x 60&nbsp;cm||Copy of the Moscow painting considered to be by Poussin himself ||Madrid, Prado||45a/200
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|[[File:Nymphe et satyr - Nicolas Poussin - Musée Pouchkine Moscou.jpg|200px]]||''BacchicΒακχική sceneσκηνή'' orή ''NymphΝύμφη andκαι satyrσάτυρος drinkingπου πίνει''||1626–1628||77 x 62&nbsp;cm||Copy of the Prado painting considered to be by Poussin himself ||Moscow, Pushkin Museum||45b/200
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| [[File:Midas se lavant à la source du Pactole, 1627, New-York, The Metropolitan Museum of Art.jpg|200px]] ||''MidasΟ washingΜίδας himselfπλένεται inστον the source of the river PactolusΠακτωλό''||1626–1628 c.||97,5 x 72,5&nbsp;cm|| Acquired by the museum in 1871 ||New York, [[Metropolitan Museum of Art]]||47/165
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| [[File:Midas à la source du fleuve Pactole Ajaccio Palais Fech-Musée des Beaux-Arts.jpg|200px]] ||''MidasΟ atΜίδας theστις sourceπηγές ofτου the PactolusΠακτωλού''||1626–1628 c.||50 x 66&nbsp;cm||Sold on 19 February 2011<ref>{{Fr icon}} [http://www.latribunedelart.com/incroyable-vol-au-musee-fesch-d-ajaccio-article003001.html Incroyable vol au Musée Fesch d’Ajaccio]</ref>||[[Ajaccio]], [[Musée Fesch]]||48/166
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|[[File:Olympos et Marsyas - Poussin - CollPart.jpg|200px]]||''OlymposΌλυμπος andκαι MarsyasΜαρσύας''||1626–1628 c.||102,5 x 89,5&nbsp;cm||Rediscovered in 1969 by [[Pierre Rosenberg]], bought by the [[musée du Louvre]] then returned to its owners in 1978 after a judicial hearing<ref>{{Fr icon}} [http://www.artaujourdhui.info/q3153-tribulations-d-un-poussin.html Tribulations d'un Poussin]</ref>||Private collection||49
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|[[File:Narcisse et Cupidon - Poussin.jpg|200px]]||''NarcissusΝάρκισσος andκαι CupidΕρωτιδέας''||1626–1629 c.||53 x 41,9&nbsp;cm||Rediscovered then sold at auction in 1997<ref>[http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=306107|titre=Sale 5093/Lot53 Christie's – Sale 5093, Lot 53]</ref>{{,}}<ref>Olivier Bonfait, « Poussin aujourd'hui », art. cit., p. 72 note</ref>||Private collection||
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|[[File:Poussin - Nymphes satyres.jpg|200px]] || ''SleepingΚοιμισμένη nymphνύμφη surprisedαιφνιδιάζεται byαπό satyrsσατύρους'' orή ''VenusΗ surprisedΑφροδίτη byαιφνιδιάζεται satyrsαπό σατύρους''||1627||66 x 50,8&nbsp;cm||Attribution initially rejected by Blunt and Thuillier, recently backed by Rosenberg after an X-ray ||London, [[National Gallery]]||B8/R113
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| [[File:Nicolas Poussin - L'Inspiration du poète (Niedersächsisches Landesmuseum).jpg|200px]] || ''TheΗ Poet'sέμπνευση του Inspirationποιητή'' orή ''TheΗ Inspirationέμπνευση ofτου AnacreonΑνακρέοντα''||1627 c. || 94 x 69,5&nbsp;cm ||In the collection of the [[Elector of Hanover]] in 1779 || [[Hanover]], Niedersächsisches Landesmuseum Hannover||72/125
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|[[File:Poussin - Acis et Galatée - National Gallery Dublin.jpg|200px]]||''AcisΆκις andκαι GalateaΓαλάτεια''||1627–1628||97 x 135&nbsp;cm||Given to the gallery in 1916 ||[[Dublin]], [[National Gallery of Ireland]]||54/128
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| [[File:Nicolas Poussin - Et in Arcadia ego (première version).jpg|200px]] || ''TheΟι shepherdsΒοσκοί ofτης ArcadiaΑρκαδίας (Et in Arcadia ego)'' ||1627–1628 || 101 x 82&nbsp;cm ||In the collection of Louis-Henri de Loménie de Brienne (son of [[Henri-Auguste de Loménie, comte de Brienne|Henri-Auguste de Loménie]]) at the end of the 17th century and entered the collection of [[William Cavendish, 4th Duke of Devonshire]] in 1761 || [[Chatsworth House]], Devonshire Collection||67/119
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|[[File:Nicolas Poussin - La Grande Bacchanale.jpg|200px]]||''BacchanalΒακχικό withμε guitar playerκιθαρωδό'' orή ''TheΤο GreatΜεγάλο BacchanalΒακχικό''||1627–1628||121 × 175&nbsp;cm||Acquired by [[Armand Jean du Plessis de Richelieu|cardinal de Richelieu]] then shifted to the French royal collection ||Paris, musée du Louvre||55/140
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| [[File:Nicolas Poussin, Eco e Narciso (ca. 1629-1630), Museo del Louvre, Parigi..jpg|200px]] || ''EchoΗχώ andκαι NarcissusΝάρκισσος'' || 1628 || 74 x 100&nbsp;cm ||Acquired by Louis XIV before 1683 || Paris, musée du Louvre||57/151
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| [[File:Germanicus Death.jpg|200px]] || ''TheΟ Deathθάνατος ofτου GermanicusΓερμανικού'' || 1628 || 146 x 195&nbsp;cm || Painted for cardinal Francesco Barberini. Owned by his heirs until its sale to present owner in 1958 || [[Minneapolis]], [[Minneapolis Institute of Arts|Institute of Arts]]||58/156
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| [[File:Nicolas Poussin - Le Triomphe de Flore.jpg|200px]] || ''TheΟ Triumphθρίαμβος ofτης FloraΦλόρας'' || 1628 || 165 x 241&nbsp;cm ||Owned by [[Luigi Omodei (1607–1685)|cardinal Omodei]]. Acquired in 1684–1685 by [[Louis XIV of France|Louis XIV]] || Paris, musée du Louvre||56/154
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|[[File:Le Massacre des innocents - Nicolas Poussin - Petit Palais - 1626-1627.jpg|200px]]|| ''TheΗ massacreσφαγή ofτων the innocentsΑθώων'' || 1628 || 97 x 132&nbsp;cm ||Attribution supported by Blunt but rejected by Thuillier || Paris, musée du [[Petit Palais]]||B2/66
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|[[File:Martyr de saint Erasme-Modello - Poussin - MBACanada.jpg|200px]]||''TheΤο Martyrdomμαρτύριο ofτου SaintΑγίου ErasmusΕράσμου''||1628–1629||99 x 74&nbsp;cm||''Modello'' for the painting intended for [[Saint Peter's Basilica|St Peter's]] in Rome. Formerly in the Barberini collection, entered its present owner's collection in 1972||[[Ottawa]], [[National Museum of Canada]]||68/98
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| [[File:Nicolas Poussin - Le Martyre de Saint Érasme.jpg|200px]] || ''TheΤο Martyrdomμαρτύριο ofτου SaintΑγίου ErasmusΕράσμου'' || 1628–1629 || 320 x 186&nbsp;cm || Commissioned in 1628 at the instigation of cardinal Francesco Barberini for a side chapel of Saint Peter's basilica|| Rome, Pinacoteca Vaticana||69/97
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|[[File:Nicolas Poussin - Midas and Bacchus - WGA18272.jpg|200px]]||''MidasΜίδας beforeκαι BacchusΒάκχος''||1628–1629||98 x 130&nbsp;cm||Located in Munich from 1787 ||Munich, Alte Pinakothek||65/R89
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| [[File:Diane et Endymion 1630 Detroit Institute of Art.jpg|200px]] ||''DianaΆρτεμις andκαι EndymionΕνδυμίων''||1628–1630 (vers)||122 x 169&nbsp;cm||Possibly formerly in the collection [[Jules Mazarin]] then of [[Joseph Fesch]]. Several repaintings by Poussin||Detroit, [[Detroit Institute of Arts|Institute of Arts]]||66/149
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|[[File:Nicolas Poussin mars and venera.jpg|200px]]||''MarsΆρης andκαι VenusΑφροδίτη''||1628–1630 c.||155 x 213&nbsp;cm||Formerly in the Dal Pozzo collection ||Boston, [[Boston Museum of Fine Arts|Museum of Fine Arts]]||61/183
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| [[File:Poussin Inspiration of the poet Louvre.jpg|200px]] || ''[[TheΗ Inspirationέμπνευση ofτου the Poet]]ποιητή'' || 1629 || 183 x 213&nbsp;cm ||In [[Thomas Hope (1769–1831)|Thomas Charles Hope]]'s collection in 1824, bought by the Louvre in 1911. Largely reworked, by Poussin himself. || Paris, musée du Louvre||79/124
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|[[File:Nicolas Poussin - L'Apparition de la Vierge à saint Jacques le Majeur.jpg|200px]] || ''SaintΤο Jamesόραμα theτου Great'sΑγίου vision of the Virgin MaryΙακώβου''||1629–1630 c.||301 × 242&nbsp;cm||Possibly painted as an altarpiece for the église Saint-Jacques in Valenciennes. Bought by the duc de Richelieu then entered the French royal collection in 1665 ||Paris, musée du Louvre||75/102
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|[[File:Sainte Famille avec st Jean Baptiste - Poussin - Karlsruhe.jpg|200px]]||''HolyΗ FamilyΑγία withΟικογένεια Stμε Johnτον theμικρό BaptistΆγιο Ιωάννη Βαπτιστή''||1629–1630||101 x 75,5&nbsp;cm||Formerly in the collection of [[Heinrich Thyssen]] ||[[Karlsruhe]], [[Staatliche Kunsthalle Karlsruhe|Staatliche Kunsthalle]]||74/48
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|||''MosesΟ sweeteningΜωυσής theγλυκαίνει bitterτα watersνερά ofτης MarahΜερράς''||1629–1630 (vers)||152 x 210&nbsp;cm||Entered [[Simon Harcourt, 1st Earl Harcourt]]'s collection in England in 1755. Sold at auction in 1948. ||[[Baltimore]], [[Baltimore Museum of Art|Museum of Art]]||76/28
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|[[File:Le Retour d'Egypte - Poussin - Dulwich PG.jpg|200px]]||''Η TheΕπιστροφή Returnαπό fromτην EgyptΑίγυπτο''||1629–1630 c.||112 x 94&nbsp;cm||Possibly the first version of the painting now in Cleveland ||London, Dulwich Picture Gallery||77/68
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|[[File:Le Repos pendant la fuite en Egypte - Poussin - Metropolitan.jpg|200px]]||''TheΗ HolyΑγία FamilyΟικογένεια'' orή ''TheΑνάπαυση Restκατά onτην theΦυγή Flightστην into EgyptΑίγυπτο''||1629–1630 c.||76 x 63&nbsp;cm||Formerly in the collection of Dr and Mrs Rudolph Heinemann, given to the museum in 1996<ref>[http://www.metmuseum.org/works_of_art/collection_database/all/the_rest_on_the_flight_into_egypt_nicolas_poussin/objectview.aspx?page=1&sort=6&sortdir=asc&keyword=nicolas%20poussin&fp=1&dd1=0&dd2=0&vw=1&collID=0&OID=110002481&vT=1&hi=0&ov=0 ''The Rest on the Flight into Egypt'']</ref> ||New York, Metropolitan Museum of Art||78/63
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| [[File:Le Triomphe de David 1630 Madrid, musée du Prado.jpg|200px]] ||''TheΟ Triumphθρίαμβος ofτου David'' or ''David the victorΔαβίδ''||1629–1630 c.||100 x 130&nbsp;cm||Collection of cardinal [[Girolamo Casanate]] from 1664 ||Madrid, Prado||73/34
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|[[File:Le Repos pendant la fuite en Égypte - Poussin - Winterthur.jpg|200px]]||''TheΑνάπαυση Restκατά onτην theΦυγή Flightστην into EgyptΑίγυπτο''||1630 c.||88 x 67&nbsp;cm||Possibly from [[Pierre Crozat]]'s collection, moved to England in the 19th century ||[[Winterthour]], [[Musée Oskar Reinhart « Am Römerholz »]]||80/64
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|[[File:Nicolas Poussin - The Assumption of the Virgin.JPG|200px]] || ''TheΗ Assumptionανάληψη ofτης the VirginΠαρθένου''||1630–1632 c.||134,4 × 98,1&nbsp;cm||Attribution supported by Blunt but rejected by Thuillier and Rosenberg (1994) ||Washington, [[National Gallery of Art]]||B20/92
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|||''ChildrenΠαιδιά andκαι dogsσκυλιά''||1630–1633 c.||67,5 x 50&nbsp;cm||Fragment d'une plus grande toile dont le sujet reste inconnu. In Pierre Crozat's collection, collection acquired by Catherine II of Russia ||Saint-Petersburg, Hermitage Museum||32/195
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| [[File:Plague in Ashod.jpg|200px]] || ''TheΗ Plagueπανούκλα ofστο Ασηδώθ Asdod'' orή ''TheΟι Φιλισταίοι Philistinesχτυπημένοι struckαπό byτην plagueπανούκλα'' || 1631 || 148 x 198&nbsp;cm ||Finished at the end of 1630 and sold for 110 écus. Formerly in the collection of cardinal Richelieu || Paris, musée du Louvre||81/32
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|[[File:Nymphe chevauchant un bouc - Nicolas Poussin - The Hermitage Museum.jpg|200px]]||''NymphΝύμφη ridingπου aιππεύει goat'' or ''Venus, faun and puttiκατσίκα''||1631 c.||72 x 56&nbsp;cm|| ||Saint-Petersburg, Hermitage Museum||82/199
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|[[File:Jeux d'enfants et putti - Nicolas Poussin - Hermitage.jpg|200px]]||''ChildrenΠαιδιά andκαι putti playingερωτιδείς''||1631 c.||95 x 72&nbsp;cm||Possibly from the collection of [[Pierre Crozat]], which was sold to Catherine II of Russia ||Saint-Petersburg, Hermitage Museum||83/196
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| [[File:Poussin, Nicolas - The Empire of Flora - 1631.jpg|200px]] || ''TheΤο Empireβασίλειο ofτης FloraΦλόρας'' orή ''TheΟ Garden of Flora'' or ''The flower gardenανθόκηπος''|| 1631 || 131 x 181&nbsp;cm ||Sold for 100 écus. Collections of the elector of Saxony from 1722 || Dresden, Gemäldegalerie Alte Meister||84/155
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|[[File:Nicolas Poussin 080.jpg|200px]]||''TancredΤαγκρέδος andκαι ErminiaΕρμίνια''||1631||98 x 147&nbsp;cm||Acquired in Paris in 1765 by Catherine II of Russia ||Saint-Petersburg, Hermitage Museum||86/206
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| [[File:El Parnaso (Poussin).jpg|200px]] || ''Parnassus'' or ''Apollo and the musesΠαρνασσός'' || 1631–1632 || 145 x 197&nbsp;cm ||In the Spanish royal collection from 1746 || Madrid, Prado||85/129
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|[[File:Le Triomphe de David - Poussin - Dulwich.jpg|200px]]||''TheΟ Triumphθρίαμβος ofτου DavidΔαβίδ''||1631–1633 c.||117 x 146&nbsp;cm||Provenance prior to acquisition by Dulwich unknown. Attribution doubted by Mahon, Blunt and Thuillier ||London, Dulwich Picture Gallery||91/33
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| [[File:Nicolas Poussin 004.jpg|200px]] || ''BacchanalΒακχικό beforeμπροστά aσε hermστήλη του Ερμή'' || 1632–1633 || 98 x 142,8&nbsp;cm ||Acquired in 1826 || London, National Gallery||87/141
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|[[File:Le Retour d'Egypte - Poussin - Cleveland MuseumofArt.jpg|200px]]||''TheΕπιστροφή Returnαπό fromτην EgyptΑίγυπτο''||1632–1633||134 x 99&nbsp;cm||From the collection of the [[prince of Liechtenstein]], sold in 1952||Cleveland, Museum of Art||89/
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|[[File:La Translation miraculeuse de sainte Rita de Cascia - Poussin - DulwichPG.jpg|200px]]||''TheΗ miraculousθαυματουργή translationμετακίνηση ofτης saintΑγίας RitaΡίτας ofτης CasciaΚάσια'' orή ''TheΗ VirginΠαναγία protectingπροστατεύει Spoletoτο Σπολέτο''||1633 c.||48 x 37&nbsp;cm||Oil on wood||London, Dulwich Picture Gallery||97/94
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| [[File:L'Adoration des mages, 1633, Dresde, Gemäldegalerie.jpg|200px]] ||''AdorationΗ ofπροσκύνηση theτων MagiΜάγων''||1633||160 x 182&nbsp;cm||Acquired in 1742 in Paris by Augustus of Saxony. Signed ''Accad. rom. Nicolaus Pusin faciebat Romae 1633''||Dresden, Gemäldegalerie Alte Meister||93/44
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| [[File:L'Adoration des bergers, 1633, Londres, National Gallery.jpg|200px]] ||''AdorationΗ ofπροσκύνηση theτων Shepherdsποιμένων''||1633–1634||98 x 74&nbsp;cm||Possibly from the collection of Joshua Reynolds, passed to the Beauchamp family, entered the National Gallery in 1957. Signed ''N. Poussin fe.'' sur la pierre au premier plan. ||London, National Gallery||92/40
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| [[File:The dance to the music of time c. 1640.jpg|200px]] || ''[[AΧορός Danceστην toμουσική theτου Music of Time (painting)|A Dance to the Music of Time]]Χρόνου'' || 1633–1634 c. || 83 x 105&nbsp;cm ||Painted for cardinal Ropigliosi, later [[pope Clement IX]], on a theme outlined by the commissioner. Passed to the collections of the duke of Hertford and Richard Wallace || London, [[The Wallace Collection|Wallace Collection]]||141/121
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| [[File:Poussin RapeSabineLouvre.jpg|200px]] || ''TheΗ RapeΑρπαγή ofτων the Sabine WomenΣαβίνων'' || 1633–1634 or 1637–1638 || 159 x 206&nbsp;cm || According to Blunt, this version is older than that owned by the Metropolitan; according to Thuillier, it is the younger of the two || Paris, musée du Louvre||131/179
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|[[File:Saint Jean baptisant dans le Jourdain - Getty - 1630s.jpg|200px]]||''SaintΟ JohnΆγιος baptisingΙωάννης inβαπτίζει theστον Jordan'' or ''Saint John baptising the peopleΙορδάνη''||1633–1634 c. ||95 x 120&nbsp;cm||Dal Pozzo collection, passed into the collection of the [[Duke of Rutland|dukes of Rutland]] in 1785. Belonged to the [[Fondation et Collection Emil G. Bührle]] for a time, then acquired by the Getty in 1971 ||Los Angeles, [[Getty Center]]||94/70
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|[[File:Compagnons de Renaud - Poussin - Metropolitan.jpg|200px]]||''Rinaldo'sΟι Companionsσύντροφοι του Ρινάλντο''||1633–1634 c.||119 x 101&nbsp;cm|| Dal Pozzo collection. Acquired by the museum in 1977. ||New York, Metropolitan Museum of Art||106/205
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|[[File:Nicolas Poussin - Moïse faisant jaillir l'eau du rocher.jpg|200px]] || ''MosesΟ makingΜωυσής waterχτυπά pourτον fromβράχο theγια rockν'' or ''The striking of theαναβλύσει rockνερό''||1633–1635|| 97 × 133&nbsp;cm||Collection of [[Jean-Baptiste Colbert de Seignelay]] then in the galerie d'Orléans of the [[Palais-Royal]], and finally bought by [[Francis Egerton, 3rd Duke of Bridgewater]]. Still owned by Egerton's successors and inheritors. ||[[Edinburgh]], [[National Gallery of Scotland]] (loan)||101/22
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|[[File:Poussin - Paysage avec un homme effrayé par un serpent - MBA Montréal.jpg|200px]]||''LandscapeΤοπίο withμε aάντρα manτρομαγμένο frightened by a snakeαπό φίδι''||1633–1635 c.||65 x 76&nbsp;cm||Acquired around 1920 in Paris by [[Duncan Grant]]. Owned by Anthony Blunt avant sa vente au musée. ||[[Montréal]], [[Montreal Museum of Fine Arts|Museum of Fine Arts]]||96/215
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|||''ChildrenΠαιδιά playingπου παίζουν''||1633–1635 c.||52 x 39&nbsp;cm||Formerly in the collection of the [[duke of Westminster]] ||[[Lisbon]], [[Museu Calouste Gulbenkian]]||104/R109
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|[[File:Vénus montrant ses armes à Énée - Nicolas Poussin - Toronto AGO.jpg|200px]]||''VenusΗ presentingΑφροδίτη armsδείχνει toστον AeneasΑινεία τα όπλα του''||1633–1635 c.||107 x 133&nbsp;cm||Formerly in the collection of the [[Antonio del Giudice|prince of Cellamare]] ||Toronto, [[Art Gallery of Ontario|musée des beaux-arts de l'Ontario]]||107/190
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| [[File:Poussin, Tancred and Erminia.jpg|200px]] || ''TancredΤαγκρέδος andκαι ErminiaΕρμίνια'' || 1634 c. (or 1638–1639) || 75 x 100&nbsp;cm ||Bought in Paris in 1717 by [[James Thornhill]]. Acquired by the Institute in 1938|| [[Birmingham]], [[Barber Institute of Fine Arts]]||143/207
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| [[File:Nicolas Poussin - L'Enlèvement des Sabines (1634-5).jpg|200px]] || ''TheΗ RapeΑρπαγή ofτων the Sabine WomenΣαβίνων'' || 1634 || 154,5 x 210&nbsp;cm ||Formerly in the collection of [[Marie-Madeleine de Vignerot d'Aiguillon]].|| New York, Metropolitan Museum of Art||103/180
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|[[File:Nicolas Poussin - Le Passage de la mer Rouge.jpg|200px]]|| ''[[TheΗ Crossingδιάβαση ofτης theΕρυθράς Red Sea (Poussin)|The Crossing of the Red Sea]]Θαλάσσης'' || 1634 || 155,6 x 215,3&nbsp;cm ||Pendant to ''The Adoration of the Golden Calf''. dal Pozzo collection. Property of the [[Earl of Radnor|Earls of Radnor]] from the 18th century to 1945 || Melbourne, [[National Gallery of Victoria]]||99/20
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| [[File:Nicolas Poussin - L'Adoration du Veau d'or.jpg|200px]] || ''[[TheΗ Adorationλατρεία ofτου theΧρυσού Golden Calf]]Μόσχου'' || 1634 || 154 x 214&nbsp;cm ||Pendant to ''The Crossing of the Red Sea''. dal Pozzo collection. Property of the [[Earl of Radnor|Earls of Radnor]] from the 18th century to 1945 || London, National Gallery||100/26
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|[[File:Le Jeune Pyrrhus sauvé Poussin Musée du Louvre.jpg|200px]]|| ''TheΗ youngδιάσωση Pyrrhusτου savedνεαρού Πύρρου'' || 1634 || 116 x 160&nbsp;cm ||Paid 70 écus for it on 2 September 1634 by a close contact of the pope. Passed into Richelieu's collection then the French royal collection in 1665 || Paris, musée du Louvre||108/178
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|[[File:Paysage avec ruines - Poussin - Museo del Prado.jpg|200px]]||''LandscapeΤοπίο withμε ruins'' or ''Landscape with an ancient tomb and two figuresερείπια''||1634 c.||72 x 98&nbsp;cm|| Attribution denied by Thuillier. Blunt attributes it to Jean Lemaire, Rosenberg attributes it to Poussin||Madrid, Prado||R142
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|[[File:Nicolas Poussin - St John the Baptist Baptizes the People - WGA18294.jpg|200px]]|| ''SaintΟ JohnΆγιος baptisingΙωάννης the peopleβαπτίζει'' || 1634–1635 || 94 x 120&nbsp;cm ||Collection of André Le Nôtre, given to the king of France in 1693 || Paris, musée du Louvre||102/69
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|[[File:Camille et le maître d'école de Faléries - Poussin - Norton Simon Museum.jpg|200px]]||''CamillusO andΚάμιλλος theκαι schoolmasterο ofδάσκαλος Faleriiτων Φαλερίων''||1634–1635 c.||101 x 137&nbsp;cm||Owned by the [[Principality of Schaumbourg-Lippe|princes de Schaumbourg-Lippe]] in the 18th century. Formerly in the collection of [[Paul of Yugoslavia]]. Acquired by the museum in 1970 ||[[Pasadena, California|Pasadena]] (California), [[Norton Simon Museum]]||109/143
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|[[File:Poussin - hymenaeus01.jpg|200px]] || ''Hymen disguised as a woman at a sacrifice to PriapusΥμέναιος'' orή ''DanceΧορός inπρος honourτιμήν ofτου PriapusΠρίαπου''|| 1634–1638 c. || 167 x 376&nbsp;cm ||Commissioned by the king of Spain, possibly the pendant to ''The Hunt of Meleager and Atalanta'' ||[[São Paulo]], [[São Paulo Museum of Art|Museum of Art]]||116/176
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|[[File:La chasse de Méléagre, Madrid, musée du Prado.jpg|200px]]||''TheΤο Huntκυνήγι ofτου MeleagerΜελέαγρου andκαι Atalanta''της or ''Leaving for a huntΑταλάντης''|| 1634–1638 || 160 x 360&nbsp;cm ||Commissioned by the king of Spain, possibly the pendant to ''Dance in honour of Priapus''. || Madrid, Prado||115/163
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|[[File:Nicolas Poussin - Sainte Cécile.jpg|200px]]||''SainteΗ CeciliaΑγία Καικιλία''||1635 c.||117,7&nbsp;cm x 89&nbsp;cm||Located at the [[Royal Alcázar of Madrid]] in 1734. Attribution rejected by Thuillier ||Madrid, musée du Prado||B19/96
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| [[File:Nicolas Poussin 082.jpg|200px]] || ''TheΗ Destructionκαταστροφή ofτου theΝαού Templeτης in Jerusalem'' or ''The Capture of JerusalemΙερουσαλήμ''|| 1638 || 147 x 198&nbsp;cm ||Inscribed "Ni Pussin Fec" on the second shield from the right. Commissioned by Barberini to be given to the ambassador of the [[Holy Roman Empire]] in 1639 || [[Vienna]], [[Kunsthistorisches Museum]]||132/37
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|[[File:Nicolas Poussin - Le Triomphe de Neptune ou La Naissance de Vénus.jpg|200px]] || ''TheΟ Triumphθρίαμβος ofτου NeptuneΠοσειδώνα'' orή ''TheΗ Birthγέννηση ofτης VenusΑφροδίτης'' (RichelieuBacchanales BacchanalsRichelieu I)||1635 or 1636||97,2 × 108&nbsp;cm||From a series commissioned by cardinal Richelieu for his château of the same name. ||[[Philadelphia]], [[Philadelphia Museum of Art|Museum of Art]]||110/167
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|[[File:Le Triomphe de Silène - Nicolas Poussin - National Gallery London.jpg|200px]]|| ''TheΟ Triumphθρίαμβος ofτου SilenusΣειληνού'' (Bacchanales (Richelieu Bacchanals II)|| 1637 || 143,5 x 121,3&nbsp;cm ||From a series commissioned by cardinal Richelieu for his château of the same name. Considered to be an early copy (1637) of a lost original by Blunt, Thuillier and the National Gallery's curators. Considered to be an original Poussin by Rosenberg.<ref>[http://www.persee.fr/web/revues/home/prescript/article/rvart_0035-1326_1998_num_119_1_348378 Olivier Bonfait, 'Poussin aujourd'hui, art. cit'], ''La Revue de l'Art'', vol 119, (1998), page 73, note 31</ref> || London, National Gallery||111/138
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| [[File:Poussin The Triumph of Pan.jpg|200px]] || ''TheΟ Triumphθρίαμβος ofτου PanΠανός'' (RichelieuBacchanales BacchanalsRichelieu III) || 1635–1636 || 134 x 145&nbsp;cm ||From a series commissioned by cardinal Richelieu for his château of the same name. || London, National Gallery||112/136
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| [[File:Le Triomphe de Bacchus, 1635 - 1636, Kansas City, The Nelson-Atkins Museum of Arts.jpg|200px]] || ''TheΟ Triumphθρίαμβος ofτου BacchusΒάκχου'' (Bacchanales (Richelieu Bacchanals IV)|| 1635–1636 || 128,3 x 151,1&nbsp;cm ||Considered to be an early copy by Blunt and Thuillier. Considered to be a Poussin original by Rosenberg. From a series commissioned by cardinal Richelieu for his château of the same name. || [[Kansas City, Missouri|Kansas City]], [[Nelson-Atkins Museum of Art]]||113/137
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||| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : Confession]]Εξομολόγηση'' (1) || 1636–1640 c. || 95,5 x 121&nbsp;cm ||Destroyed in a fire at [[Belvoir Castle]] in 1816 || Destroyed || /108
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|[[File:Seven Sacraments - Marriage I (c1637-1640) Nicolas Poussin.jpg|200px]]|| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : Marriage]]Γάμος'' (2) || 1636–1640 c. || 95,5 x 121&nbsp;cm ||Second in the series, preceded by ''Confession'' || [[Belvoir Castle]], Leicestershire, Collection of the [[duke of Rutland]]||125/111
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|[[File:L'Extrême onction I, vers 1640, Grantham, Belvoir Castle.jpg|200px]]|| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : Extreme unction]]Ευχέλαιο'' (3) || 1636-1640 c. || 95,5 x 121&nbsp;cm ||dal Pozzo collection. Acquired by the dukes of Rutland in 1784–1785. Acquired by The Fitzwilliam Museum in 2012. || [[Cambridge]], [[The Fitzwilliam Museum]] ||126/109
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|[[File:Seven Sacraments - Confirmation I (1637-1640) Nicolas Poussin.jpg|200px]]|| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : Confirmation]]Χρίσμα'' (4) || 1636-1640 (vers) || 95,5 x 121&nbsp;cm ||dal Pozzo collection. Acquired by the dukes of Rutland in 1784–1785 || Belvoir Castle, Leicestershire, Collection of the duke of Rutland||127/106
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|[[File:'Ordination' by Nicolas Poussin, 1630s.jpg|200px]] || ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : The Commissioning]]'' (5) (or ''OrdinationΙερωσύνη'') || 1636–1640 c. || 95,5 x 121&nbsp;cm ||dal Pozzo collection. Acquired by the dukes of Rutland in 1784–1785. Attempted sale in 2010 (estimate of £15 million<ref>{{cite news|url=http://www.bbc.co.uk/news/uk-england-leicestershire-11946061|title=Poussin painting valued at £15m fails to sell|work=BBC News |date=8 December 2010}}</ref>) Acquired by Kimbell Art Museum in 2011. || [[Fort Worth]], [[Kimbell Art Museum]] ||128/110
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|[[File:Seven Sacraments - Eucharist I (1637-1640) Nicholas Poussin.jpg|200px]]|| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- IΘεία : The Eucharist]]Ευχαριστία'' (6) || 1636-1640 c. || 95,5 x 121&nbsp;cm ||dal Pozzo collection. Acquired by the dukes of Rutland in 1784–1785. || Belvoir Castle, Leicestershire, Collection of the duke of Rutland||129/107
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|[[File:Nicolas Poussin 081.jpg|200px]]|| ''[[SevenΤα SacramentsΕπτά (Poussin)|TheΜυστήρια SevenΑ΄ Sacraments- I : Baptism]]Βάπτισμα'' orή ''TheΗ BaptismΒάπτιση ofτου ChristΧριστού'' (7)||1636–1642||95,5 × 121&nbsp;cm||Completed in 1642 in Paris. dal Pozzo collection. Acquired by the dukes of Rutland in 1784–1785. Separated from the rest of the series following a sale in 1939 ||Washington, National Gallery of Art||130/105
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|[[File:La Nourriture de Jupiter - Poussin - DulwichPG.jpg|200px]]|| ''TheΗ Feedingγαλούχηση ofτου Jupiter'' or ''The Infancy of JupiterΔία'' || 1636–1637 c. || 96,2 x 119,6&nbsp;cm ||Appeared in the middle of the 18th century || London, Dulwich Picture Gallery||139/161
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|[[File:Paysage avec Junon et Argus - Poussin - Gemäldegalerie Berlin.jpg|200px]]||''LandscapeΤοπίο withμε Junoτην andΉρα Argusκαι τον Άργο''||1636–1637 c.||120 x 195&nbsp;cm||Cited in 1638 in the [[Giustiniani]] family collection in Rome ||Berlin, Gemäldegalerie||95/160
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|[[File:Camille livre le maître d'école de Faléries à ses écoliers - Nicolas Poussin - Louvre.jpg|200px]]||''CamillusO handsΚάμιλλος overκαι theο schoolmasterδάσκαλος ofτων Falerii to his pupilsΦαλερίων''||1637||252 x 265&nbsp;cm||Painted for [[Louis Ier Phélypeaux de La Vrillière]] ||Paris, musée du Louvre||122/142
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|[[File:Nicolas Poussin - Pan et Syrinx.jpg|200px]]||''PanΠαν andκαι Syrinx'' or ''Syrinx pursued by Pan and turned into a reedΣύριγξ''||1637||106,5 x 82&nbsp;cm ||Acquired by Augustus III of Saxony in Paris in 1742 || Dresden, Gemäldegalerie Alte Meister||120/171
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| [[File:Paysage avec saint Jérôme, Madrid, musée du Prado.jpg|200px]] ||''LandscapeΤοπίο withμε Saintτον JeromeΆγιο Ιερώνυμο''||1637–1638||155 x 234&nbsp;cm||Belonging to a series of paintings of hermits commissioned from artists resident in Rome by [[Philip IV of Spain]] to decorate his Retiro palace ||Madrid, Prado||114/103
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|[[File:Paysage avec homme buvant - Poussin - National Gallery London.jpg|200px]]||''LandscapeΤοπίο withμε aάντρα manπου drinkingπίνει νερό''||1637–1638 c.||63 x 78&nbsp;cm||Possibly from the Dal Pozzo collection, reappeared in 1939. Pendant to ''Landscape with resting travellers''||London, National Gallery||133/213
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|[[File:Paysage avec des voyageurs au repos - Poussin - National Gallery London.jpg|200px]]||''LandscapeΤοπίο withμε restingταξιδιώτες travellersπου αναπαύονται''||1637–1638 c.||63 x 75&nbsp;cm||Possibly Dal Pozzo collection, reappeared in 1939. Pendant to ''Landscape with a man drinking''||London, National Gallery||134/214
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| [[File:Poussin, Nicolas - The Jews Gathering the Manna in the Desert -1637 - 1639.jpg|200px]] || ''TheΤο Israelitesμάννα gatheringεξ manna in the desertουρανού'' || 1637–1639 || 149 x 200&nbsp;cm ||Painted for Paul Fréart de Chantelou || Paris, musée du Louvre||135/21
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| [[File:Poussin finding of moses 1638.jpg|200px]] || ''FindingΗ ofανεύρεση Mosesτου Μωυσή'' || 1638 || 93 x 121&nbsp;cm ||Previously belonged to [[André Le Nôtre]] and given to the king of France in 1693 || Paris, musée du Louvre||136/12
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|[[File:Thésée retrouve l'épée de son père - Poussin - c1638.jpg|200px]]|| ''TheseusΟ rediscoveringΘησέας hisβρίσκει father'sτα swordόπλα του πατέρα του'' || 1638 c. || 98 x 134&nbsp;cm || Architectural decoration painted by [[Jean Lemaire (painter)|Jean Lemaire]]. || [[Chantilly, Oise|Chantilly]], [[musée Condé]]||90/182
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| [[File:Nicolas Poussin - Et in Arcadia ego (deuxième version).jpg|200px]] || ''TheΟι ShepherdsΒοσκοί ofτης ArcadiaΑρκαδίας ([[Et in Arcadia ego]])'' || 1638–1639 || 85 x 121&nbsp;cm ||Acquired by Louis XIV in 1685 || Paris, musée du Louvre||137/120
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|[[File:Poussin - Sainte Marguerite - Galleria Sabauda.jpg|200px]]||''SaintΑγία MargaretΜαργαρίτα''||1638–1640 c.||220 x 145&nbsp;cm||Possibly commissioned by Dal Pozzo for a church in the [[Piedmont]] ||[[Turin]], [[Sabauda Gallery]]||142/104
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|[[File:Nicolas Poussin - Venus Presenting Arms to Aeneas - WGA18308.jpg|200px]]|| ''VenusΗ presentingΑφροδίτη armsδείχνει toστον AeneasΑινεία τα όπλα του'' || 1639 || 105 x 142&nbsp;cm ||Painted for [[Jacques Stella]] || Rouen, musée des beaux-arts||138/191
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|[[File:Nicolas Poussin - Jupiter enfant nourri par la chèvre Amalthée.jpg|200px]] || ''JupiterΟ suckledΔίας byθηλάζει theτην goat Amalthea'' or ''The Feeding of JupiterΑμάλθεια''||1640||97 × 133&nbsp;cm||Collection of [[Frederick II of Prussia]] in 1786 ||Berlin, Gemäldegalerie||145/162
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|[[File:Nicolas Poussin - La Continence de Scipion.jpg|200px]] || ''TheΗ Continenceαγνότητα ofτου ScipioΣκιπίωνα''||1640||114 x 163&nbsp;cm||Collection of [[Robert Walpole]], collection acquired by Catherine II of Russia in 1772 ||Moscow, Pushkin Museum||146/181
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|[[File:Nicolas Poussin - Paysage avec saint Matthieu.jpg|200px]]||''LandscapeΤοπίο withμε saintτον MatthewΕυαγγελιστή Ματθαίο''||1640||99 x 135&nbsp;cm||Sold for 70 écus on 28 October 1640. Left to cardinal Barberini, acquired by the Gemäldegalerie in 1873. Pendant to ''Landscape with saint John on Patmos'' ||Berlin, Gemäldegalerie||147/87
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|[[File:Poussin - Paysage avec saint Jean à Patmos - Chicago Art Institute.jpg|200px]]||''LandscapeΤοπίο withμε saintτον JohnΕυαγγελιστή onΙωάννη Patmosστην Πάτμο''||1640||102 x 133&nbsp;cm||Sold for 70 écus on 28 October 1640. Reappeared in 1930. Pendant to ''Landscape with saint Matthew''. ||Chicago, [[Art Institute of Chicago|Art Institute]]||148/86
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|[[File:Nicolas Poussin - The Institution of the Eucharist - WGA18310.jpg|200px]]||''TheΗ Institutionκαθιέρωση ofτης theΘείας Eucharist'' or ''Jesus Christ instituting the EucharistΕυχαριστίας''||1641||325 x 250&nbsp;cm||Commissioned in December 1640 for [[Louis XIII of France]] for the chapel of the [[château de Saint-Germain-en-Laye]] ||Paris, musée du Louvre||149/78
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| [[File:Nicolas Poussin - Le Temps soustrait la Vérité aux atteintes de l'Envie et de la Discorde.jpg|200px]]||''TimeΧρόνος andκι TruthΑλήθεια'' or dit aussiή ''TimeΟ Χρόνος defendingυπερασπίζεται Truthτην againstΑλήθεια theεναντίον attacksτου ofΦθόνου Envyκαι andτης DiscordΔιχόνοιας'' || 1641 || 297&nbsp;cm in diameter ||Commissioned by cardinal Richelieu for the ceiling of the 'grand cabinet' of his Parisian palace|| Paris, musée du Louvre||152/122
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| [[File:Poussin Miracle de saint François Xavier Louvre.jpg|200px]] || ''TheΤο Miracleθαύμα ofτου saintΑγίου FrancisΦραγκίσκου Xavier''Ξαβιέ orστην ''Saint Francis Xavier bringing back to life the daughter of an inhabitant of Cangoxima in JapanΙαπωνία'' || 1641–1642 || 444 x 234&nbsp;cm ||Commissioned by [[François Sublet des Noyers]] for the high altar of the Jesuit noviciate || Paris, musée du Louvre||151/101
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|[[File:Sainte Famille - Poussin - DetroitIA.jpg|200px]]||''HolyΑγία FamilyΟικογένεια''||1641–1642||71 x 55,5&nbsp;cm||Painted for the [[Order of Malta]]'s ambassador to Rome. Acquired by the Institute in 1954. ||Detroit, Institute of Arts||153/46
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|[[File:Ravissement de saint Paul - Poussin - J&MRinglingMuseumofArt.jpg|200px]]||''SaintΗ Paul'sανάληψη ascensionτου toΑγίου heavenΠαύλου''||1643||41,5 x 30&nbsp;cm||Painted for [[Paul Fréart de Chantelou]]||[[Sarasota]], Florida, [[John and Mable Ringling Museum of Art]]||154/
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| [[File:Nicolas Poussin - Les Sept Sacrements II- L'Extrême-Onction.jpg|200px]] || ‘‘The''Τα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- Extreme UnctionΕυχέλαιο'' (1) || 1644 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the [[Duke of Sutherland]](long term loan)||159/116
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| [[File:Seven Sacraments - Confirmation II (1645) Nicolas Poussin.jpg|200px]] || ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- ConfirmationΧρίσμα'' (2) || 1645 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||160/113
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| [[File:Seven Sacraments - Baptism (II) 1646 Nicolas Poussin.jpg|200px]] || ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- BaptismΒάπτιση'' (3) || 1646 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||161/112
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| [[File:Nicolas Poussin 077.jpg|200px]] || ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- ConfessionΕξομολόγηση'' (4) || 1647 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||162/115
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| [[File:Seven Sacraments - Ordination II (1647) Nicolas Poussin.jpg|200px]] || ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- OrdinationΙερωσύνη'' or ''Commissioning'' (5) || 1647 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||163/117
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|[[File:Seven Sacraments - Holy Eucharist II (1647) - Poussin - NGofScotland.jpg|200px]]|| ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- EucharistΘεία Ευχαριστία'' (6) || 1647 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||164/114
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| [[File:Seven Sacraments - Marriage II (1647-1648) Nicolas Poussin.jpg|200px]] || ''TheΤα SevenΕπτά SacramentsΜυστήρια IIΒ΄ :- MarriageΓάμος'' (7) || 1647–1648 || 117 x 178 cm ||Series painted for Paul Fréart de Chantelou. Passed into the d’Orléans collection, which was broken up in England in 1798. || Edinburgh, National Gallery of Scotland, collection of the Duke of Sutherland||165/118
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|[[File:Moïse enfant foulant aux pieds la couronne de Pharaon - Poussin - Woburn Abbey.jpg|200px]]||''TheΟ infantμικρός MosesΜωυσής tramplingποδοπατά pharaoh'sτο crownστέμμα του φαραώ''||1645||101 x 144&nbsp;cm||D'Orléans collection, sold in England in 1798 ||[[Woburn Abbey]] ([[Bedfordshire]]), collection of the [[duke of Bedford]]||156/16
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|[[File:Crucifixion - Poussin - WadsworthAtheneum.jpg|200px]]|| ''Crucifixion'' or ''CalvaryΣταύρωση''|| 1645–1646 || 148 x 218&nbsp;cm ||Commissioned before May 1644 by magistrate Jacques-Auguste II de [[Thou]] then owned by the family of Jacques Stella. Acquired by the Atheneum in 1935. || [[Hartford (Connecticut)]], [[Wadsworth Atheneum]]||157/79
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|[[File:Moïse changeant en serpent la verge d'Aaron - Nicolas Poussin - Louvre.jpg|200px]]||''MosesΟ changingΜωυσής Aaron'sμετατρέπει rodτην intoράβδο aτου snakeΑαρών σε φίδι''||1645–1648 c.||92 x 128&nbsp;cm||Pendant to ''The infant Moses trampling pharoah's crown''. Painted for [[Camillo Massimi]] ||Paris, musée du Louvre||167/19
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|[[File:Moïse enfant foulant aux pieds la couronne de Pharaon - Nicolas Poussin - Louvre.jpg|200px]]||''TheΟ infantμικρός MosesΜωυσής tramplingποδοπατά pharoah'sτο crownστέμμα του φαραώ''||1645–1648 c.||92 x 128&nbsp;cm||Pendant to ''Moses changing Aaron's rod into a snake''. Painted for [[Camillo Massimi]] ||Paris, musée du Louvre||166/15
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|[[File:Moïse sauvé des eaux (1647) - Nicolas Poussin - Louvre.jpg|200px]]|| ''MosesΗ savedανεύρεση fromτου the riverΜωυσή'' || 1647 || 120 x 195&nbsp;cm ||Acquired by [[Armand Jean de Vignerot du Plessis]] and entered the French royal collections in n 1665 || Paris, musée du Louvre||169/13
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|[[File:Saint Jean baptisant le Christ - Nicolas Poussin - 1648.jpg|200px]]||''SaintΗ John baptising ChristΒάπτιση''||1648||30 x 23||Painted for Paul Fréart de Chantelou following a commission granted in 1645. Painted on [[cupressus]] panel||New York, collection [[Daniel Wildenstein|Wildenstein]]||170/71
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|[[File:The Holy Family on the Steps.jpg|200px]]||''HolyΗ Family''Αγία orΟικογένεια ''Madonnaστα on the stairsσκαλοπάτια''||1648||118 x 197&nbsp;cm||The original according to the archives, with the version held by the National Gallery of Art in Washington only being a copy. Fraudulently exported from France and acquired by the Cleveland Museum, then jointly acquired by them and the Louvre||Cleveland, Museum of Art, Paris, musée du Louvre||172/53
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| [[File:Nicolas Poussin 073.jpg|200px]] || ''EleazerΕλιέζερ andκαι RebeccaΡεβέκκα'' || 1648 || 118 x 197&nbsp;cm ||Passed into the hands of Armand Jean de Vignerot du Plessis then entered the French royal collection in 1665||Paris, musée du Louvre||173/8
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|[[File:Nicolas Poussin - Paysage avec l'enterrement de Phocion .jpg|200px]]||''[[TheΤοπίο Funeralμε ofτην Phocion|Landscapeταφή withτου the funeral of Phocion]]Φωκίωνα''||1648||117,5 x 178&nbsp;cm||Possibly painted for the Lyon businessman Jacques Sérisier. Pendant to ''Landscape with the ashes of Phocion'' ||[[Cardiff]], National Museum of Wales||176/173
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| [[File:The ashes of phocion collected by his widow 1648.jpg|200px]] || ''[[LandscapeΤοπίο withμε theτην Ashesτέφρα ofτου Phocion]]Φωκίωνα'' || 1648 || 116 x 178,5&nbsp;cm ||Possibly painted for the Lyon businessman Jacques Sérisier. Pendant to ''Landscape with the funeral of Phocion'' || [[Liverpool]], [[Walker Art Gallery]]||177/174
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|[[File:Nicolas Poussin - Landscape with a Man Killed by a Snake - WGA18320.jpg|200px]]||''LandscapeΤοπίο withμε aάνθρωπο Manδαγκωμένο Killedαπό by a Snakeφίδι'' orή ''TheΤα effectsαποτελέσματα ofτου terrorτρόμου''||1648||119 x 198,5&nbsp;cm||Copie ancienne au [[musée Magnin]]||London, National Gallery||178/209
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| [[File:Nicolas Poussin - Paysage avec Orphée et Eurydice.jpg|200px]] || ''[[LandscapeΟρφέας withκαι Orpheus and Eurydice]]'' or ''[[Landscape with Orpheus and Eurydice|Orpheus and Eurydice]]Ευρυδίκη'' || 1648 || 120 x 200&nbsp;cm ||Acquired for the French royal collection in 1685. Upper and lower portions cut off. || Paris, musée du Louvre||179/170
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|[[File:Poussin, Nicolas - Landscape with Diogenes - c. 1647.jpg|200px]] || ''LandscapeΤο withκύπελλο Diogenes''του or ''Diogenes throwing away his bowlΔιογένη''||1648||160 x 221&nbsp;cm||Collection of the duc de Richelieu, acquired by Louis XIV in 1665 ||Paris, musée du Louvre||180/150
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| [[File:Nicolas Poussin - Paysage avec Polyphème.jpg|200px]]||''LandscapeΤοπίο withμε Polyphemusτον Πολύφημο''||1649||150 x 198&nbsp;cm||Acquired by Catherine II of Russia in 1772 on the advice of [[Denis Diderot]] ||Saint-Pétersbourg, musée de l'Ermitage||182/175
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|[[File:Nicolas Poussin - The Judgment of Solomon - WGA18330.jpg|200px]]|| ''TheΗ Judgementκρίση ofτου SolomonΣολομώντα'' || 1649 || 101 x 150&nbsp;cm ||Entered the French royal collection in 1685 || Paris, musée du Louvre||183/35
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|[[File:Poussin, Nicolas - Moses Striking Water from the Rock - 1649.jpg|200px]]||''TheΟ strikingΜωυσής ofχτυπά theτον rock''βράχο orγια ν''Moses Striking Water from theαναβλύσει Rockνερό''||1649||150 × 196&nbsp;cm||Painted for [[Jacques Stella]]. Collection of [[Robert Walpole]] in 1733, acquired by Catherine II of Russia in 1779 ||Saint-Petersburg, Hermitage Museum 185/23
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| [[File:Nicolas Poussin 079.jpg|200px]] || ''Self portraitΑυτοπροσωπογραφία'' || 1649 || 78 x 65&nbsp;cm ||Inscribed "Nicolaus Poussinus Andelyensis Academicus Romanus Primus Pictor Ordinarius Ludovici Iusti Regis Galliae. Anno Domini 1649. Romae. Aetatis suae 55" Painted for his friend Jean Pointel. Acquired by the Gemäldegalerie in 1821. || Berlin, Gemäldegalerie||186/1
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| [[File:Nicolas Poussin 078.jpg|200px]] || ''Self portraitΑυτοπροσωπογραφία'' || 1649–1650 || 98 x 74&nbsp;cm ||Inscribed "Effigies Nicolai Poussini Andelyensis Pictoris Anno Aetatis 56 Romae Anno Iubilei 1650" Painted for his friend Paul Fréart de Chantelou. Acquired by the French national collection in 1797. || Paris, musée du Louvre||190/2
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|[[File:Nicolas Poussin - The Assumption of the Virgin - WGA18331.jpg|200px]]||''Assumption of the Virgin''||1649–1650||57 x 40&nbsp;cm||Joined the French royal collection in 1685 ||Paris, musée du Louvre||188/93
|}
 
== ΠαραπομπέςReferences ==
{{reflist|colwidth=30em}}
 
==Bibliography==
==Βιβλιογραφία==
*[[Anthony Blunt]], ''The Paintings of Nicolas Poussin. A Critical Catalogue'', London, Phaidon, 1966, 271 p.
*{{fr icon}} Jacques Thuillier, ''Tout l'œuvre peint de Poussin : Documentation et catalogue raisonné'', Paris, Rizzoli-Flammarion, Les Classique de l'Art series, 1974, 136 p.
*{{fr icon}} Pierre Rosenberg, ''Nicolas Poussin (1594–1665)'', exhibition catalogue, Grand Palais, Paris, RMN, 1996
 
== External links ==
== Εξωτερικοί σύνδεσμοι ==
* [http://www.culture.gouv.fr/public/mistral/joconde_fr?ACTION=RETROUVER_TITLE&REQ=%28%28peinture%29+%3ADOMN+ET+%28%28Poussin%29+%3AAUTR+%29%29 List of paintings by Nicolas Poussin]
* [http://www.wga.hu/index1.html List of paintings by Nicolas Poussin on the Web Gallery of Art]
 
[[Κατηγορία:Κατάλογοι έργων τέχνης]]
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