Γιαν Αντόνι Κόξι: Διαφορά μεταξύ των αναθεωρήσεων
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Γραμμή 7:
==Βιογραφία==
[[File:Jan Anthonie Coxcie - Portrait of a Family - WGA05575.jpg|thumb|300px|Πορτρέτο μιας οικογένειας]]
Ο Κόξι γεννήθηκε στο [[Μέχελεν]] κάπου ανάμεσα στο χρονικό διάστημα 1650 - 1670 και ήταν μέλος καλλιτεχνικής οικογένειας με μακρά παράδοση που ανάγεται στον 16ο αιώνα. Πατέρας του ήταν ο [[τοπιογραφία|τοπιογράφος]] [[Γιαν Κόξι]],
Ο Γιαν Αντόνι εκπαιδεύτηκε από τον πατέρα του αλλά και τον επιφανή ζωγράφο [[Σαρλ Εμμανυέλ Μπισέτ]],<ref name=rkd/> αδελφό της μητέρας του Γιοάννα και διευθυντή της Ακαδημίας της [[Αμβέρσα]]ς.
Ο Γιαν Αντόνι άρχισε τη σταδιοδρομία του στο Μέχελεν περί το 1691. Αυτό το έτος έλαβε παραγγελία από την πόλη του Μέχελεν να δημιουργήσει το πορτρέτο του [[Κάρολος Β΄ της Ισπανίας|Καρόλου Β΄ της Ισπανίας]], του τελευταίου [[Αψβούργοι|Αψβούργου]] κυβερνήτη της [[Ισπανία]]ς αλλά και των [[Ισπανικές Κάτω Χώρες|Ισπανικών Κάτω Χωρών]]. Το 1698 ζωγράφισε τις μορφές σε ένα τοπίο που είχε φιλοτεχνήσει ο [[Ζακ ντ'Αρτουά]] για λογαριασμό της Εκκλησίας του Αγίου Ιακώβου της [[Μπρυζ]].
<!--From 1699 onwards he is recorded in [[Amsterdam]]. In 1703 he became [[poorter]] of Amsterdam.<ref name=rkd/> Wybrand de Geest (II) was his pupil. De Geest published in 1702 a book with engravings of Antique sculptures under the title ''Het Kabinet der Statuen ons van d’Aloudheid Nagelaten'', which he dedicated to his master and friend Coxie. It is believed that Jan Anthonie Coxie is the Coxie that the early Dutch biographer [[Arnold Houbraken]] claimed had painted the [[grisaille]] representations of the [[Liberal arts education|liberal arts]] on the panels that covered a tryptich made by [[Gerard Dou]]. This tryptich was in the collection of [[William I of the Netherlands]], but is now lost although a copy by [[Willem Joseph Laquy]] exists. The grisaille paintings by Coxie made clear that the three paintings by Gerard Dou, which depicted [[genre art|genre]] scenes, were in fact allegories of the liberal arts.<ref> Seymour Slive, Cynthia P. Schneider, William W. Robinson, Alice Ingraham Davies, ''Shop Talk: Studies in Honor of Seymour Slive : Presented on His Seventy-Fifth Birthday'', Harvard University Art Museums, 1995 , p. 101-102</ref><ref>[http://hdl.handle.net/10934/RM0001.collect.8324 Willem Joseph Laquy, 'Triptych with an Allegory of Art Education, central panel, The Lying-in Room (A Mother Nursing her Child), a Dentist in the background'] at the [[Rijksmuseum]] {{link language|nl|Middle Dutch}}</ref>▼
▲From 1699 onwards he is recorded in [[Amsterdam]]. In 1703 he became [[poorter]] of Amsterdam.<ref name=rkd/> Wybrand de Geest (II) was his pupil. De Geest published in 1702 a book with engravings of Antique sculptures under the title ''Het Kabinet der Statuen ons van d’Aloudheid Nagelaten'', which he dedicated to his master and friend Coxie. It is believed that Jan Anthonie Coxie is the Coxie that the early Dutch biographer [[Arnold Houbraken]] claimed had painted the [[grisaille]] representations of the [[Liberal arts education|liberal arts]] on the panels that covered a tryptich made by [[Gerard Dou]]. This tryptich was in the collection of [[William I of the Netherlands]], but is now lost although a copy by [[Willem Joseph Laquy]] exists. The grisaille paintings by Coxie made clear that the three paintings by Gerard Dou, which depicted [[genre art|genre]] scenes, were in fact allegories of the liberal arts.<ref> Seymour Slive, Cynthia P. Schneider, William W. Robinson, Alice Ingraham Davies, ''Shop Talk: Studies in Honor of Seymour Slive : Presented on His Seventy-Fifth Birthday'', Harvard University Art Museums, 1995 , p. 101-102</ref><ref>[http://hdl.handle.net/10934/RM0001.collect.8324 Willem Joseph Laquy, 'Triptych with an Allegory of Art Education, central panel, The Lying-in Room (A Mother Nursing her Child), a Dentist in the background'] at the [[Rijksmuseum]] {{link language|nl|Middle Dutch}}</ref>
Although successful as testified by the praises sung of his work by local poets Sybrand Feitama and François Halma, he left Amsterdam and is recorded in Berlin from 1705 to 1708.<ref name=bnb/><ref name=rkd/> He became the court painter of [[Frederick I of Prussia]] and decorated the ceilings of [[Charlottenburg Palace]], the Berlin Palace and other residences of Frederick I with allegorical scenes praising the deeds of the king. He painted the walls and an altarpiece in the Chapel at Charlottenburg Palace.<ref name=roel>Roeland van Eijnden, Adriaan van der Willigen, ''Johan Anhonij Coxie'', in 'Geschiedenis der vaderlandsche schilderkunst, sedert de helft der XVIII eeuw', Volume 1, A. Loosjes, Pz., 1816, p. 285-286 {{link language|nl|Middle Dutch}}</ref>
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