Αποκαθήλωση: Διαφορά μεταξύ των αναθεωρήσεων
Περιεχόμενο που διαγράφηκε Περιεχόμενο που προστέθηκε
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→Selected examples: JB Jackson is simply a chiaroscuro copy after Rembrandt: the list is of examples, not a complete list |
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Γραμμή 10:
With the Renaissance the subject became popular for [[altarpiece]]s, partly because of the challenges of the composition, and the suitability of its vertical shape. The [[Mannerist]] version of [[Rosso Fiorentino]] is usually regarded as his most important work, and [[Pontormo]]'s altarpiece is perhaps his most ambitious work. The subject was painted several times by both [[Rubens]] and [[Rembrandt]], who repeated one of his paintings (now in Munich) in a large print, his only one to be mainly [[engraving|engraved]], as well as making two other [[etching]]s of the subject.
[[Image:La descente de croix Rubens.jpg|thumb|right|''Deposition'' by [[Rubens]], ([[Palais des Beaux-Arts de Lille|Lille]]).]]▼
==Selected examples==
▲[[Image:La descente de croix Rubens.jpg|thumb|right|''Deposition'' by [[Rubens]], [[Palais des Beaux-Arts de Lille|Lille]].]]
*Codex Grecus 510 (9th century Byzantine, [[Bibliothèque nationale]], Paris)
*[[Codex Egberti]] (ca. 980, [[Trier]] city library).
Γραμμή 23:
*[[Rembrandt]] (1634, [[Hermitage Museum]], [[Saint Petersburg]]) [http://www.ibiblio.org/wm/paint/auth/rembrandt/1630/descent.jpg] [http://www.brucevanpatter.com/rembrandt.html] [http://www.inter-art.com/en/1189.htm]
*[[Athens]], [[Benaki Museum]] No. 3001 (ca. 1700) [http://www.culture.gr/2/21/215/21505/215051/2150513/eb119h6.html]
*[[Gustave Doré]] [http://www.creationism.org/images/DoreBibleIllus/rMat2757Dore_TheDescentFromTheCross.jpg]
*[[Max Beckmann]] (1917) [http://www.moma.org/collection/provenance/items/328.55.html]
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