Εθνικό Μουσείο του Καποντιμόντε: Διαφορά μεταξύ των αναθεωρήσεων

 

===20ός και 21ος αιώνας===

 

 

 

In the postwar period , riding the wave of enthusiasm for the work of reconstruction of the country, it was implemented a project for the museums in Naples. Molajoli Bruno then moved permanently all the paintings at the Royal Palace of Capodimonte, also released its housing function after departure of the Dukes of Aosta in 1946 [8] . So it would hear the demand already expressed several years earlier by distinguished personalities of Italian culture, including Benedetto Croce , the National Archaeological Museum to devote exclusively to the collection of antiquities, because the latter had acquired over the years more and more space is by gallery from the library, already transferred to the Royal Palace in 1925 [22] . With a decree signed in 1949 was officially the National Museum of Capodimonte. The renovation of the rooms of the palace began in 1952, with funding from the Fund for the South , and were followed by the same Molajoli, by Ferdinando Bologna , Raphael Cause and Ezio De Felice [23] , who worked primarily on architectural profile and of 'museum layout, admired for modernity and functionality and long taken as a model [8] . On the first floor they were then arranged the paintings of the nineteenth century and reconstructed environments of the royal apartment, in addition to the laboratory for conservation and restoration, while the second floor was created a gallery for paintings classic [24] .